Night Pieces

A setting of three Wordsworth nocturnes for mixed chorus and five instruments.

  • How Beautiful the Queen of Night

  • A Night-Piece

  • The Sun Has Long Been Set

Duration: 16'
Difficulty: 4/5 (Difficulty Rating Overview)


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How Beautiful the Queen of Night

A Night-Piece

The Sun Has Long Been Set

 
  • VOICES

    Mixed Chorus (divisi, no solos)

    ORCHESTRA

    Cor Anglais

    Horn in F

    Harp

    Viola

    Cello

  • I. How Beautiful the Queen of Night

    1846, by William Wordsworth

    How beautiful the Queen of Night, on high

    Her way pursuing among scattered clouds,

    Where, ever and anon, her head she shrouds

    Hidden from view in dense obscurity.

    But look, and to the watchful eye

    A brightening edge will indicate that soon

    We shall behold the struggling Moon

    Break forth,--again to walk the clear blue sky.

    II. A Night-Piece

    1798, by William Wordsworth

    Composed on the road between Nether Stowey and Alfoxden, extempore. I distinctly recollect the very moment when I was struck, as described--"he looks up--the clouds are split," etc.

    The sky is overcast

    With a continuous cloud of texture close,

    Heavy and wan, all whitened by the Moon,

    Which through that veil is indistinctly seen,

    A dull, contracted circle, yielding light

    So feebly spread, that not a shadow falls,

    Chequering the ground--from rock, plant, tree, or tower.

    At length a pleasant instantaneous gleam

    Startles the pensive traveller while he treads

    His lonesome path, with unobserving eye

    Bent earthwards; he looks up--the clouds are split

    Asunder,--and above his head he sees

    The clear Moon, and the glory of the heavens.

    There, in black-blue vault she sails along,

    Followed by multitude of stars, that, small

    And sharp, and bright, along the dark abyss

    Drive as she drives: how fast they wheel away,

    Yet vanish not!--the wind is in the tree,

    But they are silent,--still they roll along

    Immeasurably distant; and the vault,

    Built round by those white clouds, enormous clouds,

    Still deepens in its unfathomable depth.

    At length the Vision closes; and the mind,

    Not undisturbed by the delight it feels,

    Which slowly settles into peaceful calm,

    Is let to muse upon the solemn scene.

    III. The sun has long been set

    1804, by William Wordsworth

    The sun has long been set,

    The stars are out by twos and threes,

    The little birds are piping yet

    Among the bushes and trees;

    There’s a cuckoo, and one or two thrushes,

    And a far-off wind that rushes,

    And a sound of water that gushes,

    And the cuckoo’s sovereign cry

    Fills all the hollow of the sky.

    Who would “go parading”

    In London, “and masquerading,”

    On such a night of June

    With that beautiful soft half-moon,

    And all these innocent blisses?

    On such a night as this is!

  • PROGRAM NOTES

    J.A.C. Redford

    I composed Night Pieces with the elegant sound and superlative musicianship of Barlow Bradford and Utah Chamber Artists particularly in mind. Rebecca Durham suggested the Wordsworth texts. I found the poet's beautifully articulated contrasts of moonlight and shadow, cloud wrack and star-traced clarity unusually evocative and inspiring. The instruments were chosen for their rich, dusky colors. My choral approach to the settings is both narrative and impressionistic, in an effort to recreate for the listener something like the epiphanies that prompted Wordsworth's profoundly poignant reflections.

    PUBLISHER’S NOTES

    Mark Foster (Hal Leonard)

    The allure of night proves an endless delight when Wordsworth's words are married to Redford's music in this probing triptych. The music serves the poetry in deliberate tones, now surging wildly, now ebbing gently. Unisons blossom into counterpoint, and harmonies signal a wavering between stable hues and changing moods.

  • Night Pieces was commissioned by the Utah Chamber Artists and premiered on 3 May 2004 in Salt Lake City by the Utah Chamber Artists with Barlow Bradford, Artistic Director, conducting. It was recorded in 2006 by Los Angeles Chamber Singers, conducted by Grammy Award-winning Peter Rutenberg, for the Plough Down Sillion Music CD Evening Wind.

    Richard Nance and the Pacific Lutheran University Choral Union presented the work at the 39th National Conference of the American Harp Society in 2010. Utah Chamber Artists reprised Night Pieces in 2010 and again in 2012.

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